“Dixons. Gave in notice. Bloke gave me SME headshell. Played new LPs in evening. Fairport Convention – great. Pete Wingfield – Good. Alex Harvey – not good on first listen”
So, Dixons lost the best hi-fi salesman they ever employed. In entirely unconnected news, I resigned from Dixons.
My final day of standing doe-eyed under the blisteringly hot spotlights in the department (not really knowing what the hell I was doing) did offer me an unexpected bonus with a grateful customer gifting me an SME headshell for my record deck. As I recall, installing it really DID make a difference to the sound, those collection of holes evidently an intelligent design tweak. I can remember hanging onto this headshell for the longest time, transferring it from deck to deck as my hi-fi habit grew in the ensuing years. So, thank you nameless stranger!
It looks like I spent my last day’s Dixon’s earnings on some new tuneage… most probably from Francis Records using my newly restored staff discount…
Let it be known that I REALLY don’t care for Fairport Convention. Folk/Rock – as their genre is often described – invariably leaves me stone cold, and all that plinking and plonking (plus the peculiar habit of artists sticking their finger in their ear to sing) often grates.
However, “Rising for the Moon” wasn’t a straightforward folk album (which is why I was drawn to it) the band eschewing their roots and instead performing a collection of songs that veered closer to acoustic rock than anything else. Think “Cat Stevens” rather than “The Dubliners”.
Despite Sandy Denny’s wibbly-wobbly vocal style I liked the title track in particular and held onto this LP for years afterwards before eventually falling out of favour with its content. When I was intrigued enough to listen to it again it proved quite the elusive item and – to be honest – haven’t bothered since. Maybe I should see if I like it better as a 52-year-old farty than as a spotty teenager?
Pete Wingfield is perhaps the ultimate One-Hit Wonder, his “18 with a Bullet” as fantastic a perfect pop song now as it was when it was released back in 1975.
I would certainly have bought “Breakfast Special” on the strength of that hit – not the first time I would have succumbed to the brilliance of one single and splashed out on the accompanying album. However, unlike many other occasions this would be one where I would not be let down by the other cuts.
“Breakfast Special” is – at least in my opinion – an overlooked pop masterpiece, chocked full of superb and sublimely catchy tunes and easily as good as anything (the likes of ) 10cc were putting out at that time. Check out “Whole Pot of Jelly” and “Shadow of a Doubt” for proof!
Thankfully, Wingfield’s career has not been limited to the proceeds from his one solitary hit single – which ironically landed on the Billboard Hot 100 chart at… erm, Number 18. He’s played with the likes of BB King, The Everly Brothers, Van Morrison, The Hollies and Paul McCartney, and has produced seminal albums such as Dexy Midnight Runners’ “Searching for the Young Soul Rebels”, The Kane Gang’s “Bad & Lowdown World” and The Proclaimers’ “Sunshine on Leith”. He has also written smash hit singles for others, including Olivia Newton-John’s “Making a Good Thing Better” and The Pasadenas’ “Tribute (Right On)”
It’s a shame that his public persona is limited that one song but better to be known for one thing than no thing I suppose? As a treat here’s a BLISTERINGLY fine reggae version of “18 with a Bullet” by Derrick Harriot on the ever-reliable Trojan Records label in 1975. I didn’t discover it until several years later but adore it almost as much as the original…
My diary has retrospectively embarrassed me many times before, and will doubtless do it many times again.
This is one of those times. To deem the SAHB’s “Tomorrow Belongs To Me” as “not good” is nothing short of a travesty and I herewith apologise.
As a forthcoming diary entry will report though, all is not lost!